LITERATURE & ART WORKSHOPS
I lead workshops and lectures at the intersection of literature, art, and creative practice — from computational prose and poetry hackathons to creative writing and back.
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Grounded in a critical digital humanities perspective, this workshop examined how different modalities of writing and reading — handwritten, digital, and AI-assisted — shape thought, expression, and knowledge production.
Part of the FORTHEM Europa Forum BIP Reading for a Stronger Europe: From Pixels to Pages — Reading Europe Differently (ValoS001), Riga, 8–12 June 2026.
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Sunday, November 30, 11:15–16:30 at the Latvian National Museum of Literature and Music, Old Town Riga, Mārstaļu Street 6.
Read more on the Facebook event page and see photos from the event.
Photo: Gints Ivuškāns
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Sunday, September 14, 11:01–16:59 at the Latvian National Museum of Literature and Music, Old Town Riga, Mārstaļu Street 6.
Read more on the Facebook event page.
“How robots can inspire us to write a literary text” and a practical session on creating texts with a computer.
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The first computational poetry hackathon in the series.
Read more on the Facebook event page.
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Workshops, research, and an audio-scenographic walk about boredom at the Veidenbaums Museum in Kalāči — part of the Veidenbaums and Boredom project.
Local youth took part in creating an installation with the letters of boredom and an audio-scenographic walk on the theme of boredom.
Photo: Baiba Roze.
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At Agneses Rakovskas’ Zvaigznājs — we learned to write song lyrics so that they are expressive, memorable, beautiful, and not banal!
We experimented with free flow, randomization, and constraint methods. In 3 hours — ready song sketches — impressive!
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A two-day creative course for teachers organized by VISC.
Primarily for literature teachers — creative writing exercises and discussion of principles for evaluating creative work: creating a safe environment, expressing opinions, organizing group work, breaking tasks into smaller parts, free flow writing, stealing dialogues, practicing conversational language, writing down dreams, and how to write an essay.
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Creative writing workshop “Contradiction in Text as a Source of Intrigue” — Pessoa, Neiburga, Hilzenrat.
Participants are introduced to a writing technique that adds intrigue to a text by relying on internal contradictions. The workshop begins with literary excerpts, followed by writing their own texts, and then collective analysis and reflection.
Photo: Inga Grencberga.
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“How language became political: different perspectives on language” at the Latvian Centre for Contemporary Art summer school in Valmiera.
A comparative look at how language is defined and used in philosophy, linguistics, and social sciences — and how these attitudes are reflected in artistic and curatorial practices of contemporary art.